Art Statement

Composing cosmic landscapes utilizing 'cut-outs', usually three, of prints from sketches to entertain possibilities of life and living.

Often animal "spirit" totems arrive straight away either from sketches or hints in dreams or waking life.  Later on, 'they' show up on own accord.  It is usually up to me whether to keep them or not.

Qualities I encounter are perpetual feelings of love, peace, joy, forgiveness, healing, acceptance, inclusion, freedom, eternity, multiple time experiences at once, everything in one place and more.

Best online sharing for me is :  https://www.instagram.com/singinglandstudios/   and hashtag #etobineckian for paintings.

and https://www.flickr.com/photos/teckian/

about my work

My primary work focuses on living landscapes. Living, because everything consists of standing scalar waves that flash on and off. They flash here and then they flash elsewhere. I think they flash into another reality somewhere.

 Paintings are living things.

The method I apply to landscapes is to treat space and time as all inclusive. The idea being that all space and time operate together and occur in the same place. It is all in the angle of rotation that allows for things to exist in one place!

This gives me a platform for working within all time and all dimensions at
Once. This allows me to access future and past as simultaneous; the eternal now.

I am keen to the idea of living from this place.  The old is falling away.  What remains is something different, better.

We are living in a very exciting time.
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I generally work from three places; here, the future and close to where I came out from original source.  

Sometimes portraits happen and often are re-purposed in new landscapes. Old and new work combine utilizing collage from prints that are re-energized through digital painting and handwork with colored pencils.

Re-assembling images works with my concept of simultaneous time and space.

The paintings generally inform me of where I can heal next.  Often they will not complete themselves until I have undergone some kind of "upshift."  My purpose of incarnating here is about clearing, healing, uncovering, remembering and transfiguring.  The painting allows me do heal and thus de-densify.  

I view my work as sand paintings.  Once they are finished, the work has been done and they can blow away in the wind.  Usually, I do not burn them.  I have made thousands of paintings.  Some have left through burning.

What stays behind it all

Happened

Letting go again

Downstepping our majestic

These images took over six years to come together. The story they tell are about our higher selves coming home to roost.

What does art do?

Art is about sharing an artist's nervous system. The nervous system picks up what is from the immediate senses and that which is beyond the senses, the extra-sensory systems. These are the aurcladient, the spirit workings, the connection to the super elements which operate beyond time and space. These connect to the eternal workings of consciousness and when embodied act to serve as messengers to the emancipation of the human body.

Why would that matter?

Maybe because there are some people who came here at this time to transmute, re-configure, transfigure into their eternal nature?

Maybe some are transducers; those that through their nervous systems upshift, immaculate and become totally free?